Keith Haring — Hal Bromm Gallery

Hal Bromm
90 West Broadway, 2nd floor
New York, NY, 10007
+1 212-732-6196

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Keith Haring b. 1958

Keith Haring was born on May 4, 1958 in Reading, Pennsylvania, and was raised in nearby Kutztown, PA. He developed a love for drawing at a very early age, learning basic cartooning skills from his father and the popular culture around him, such as Dr. Seuss and Walt Disney.

Upon graduating from high school in 1976, Haring enrolled in the Ivy School of Professional Art in Pittsburgh, Pennsylvania, a commercial arts school. In 1978, he had a solo exhibition of his work at the Pittsburgh Arts and Crafts Center. Later that year, Haring moved to New York City and enrolled at the School of Visual Arts (SVA). In New York, Haring found a thriving alternative art community developing not within the systems of galleries and museums, but within streets downtown, the subways, and spaces in clubs and former dance halls. In these havens of untethered artistic expression, he became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat, as well as the musicians, performance artists, and graffiti writers comprising the burgeoning art community. Haring was swept up in the energy and spirit of the scene he discovered, beginning to organize and participate in exhibitions and performances at Club 57 as well as alternative venues.

In addition to being impressed by the innovation and vibrant mindsets of his contemporaries, Haring was also inspired by the work of Jean Dubuffet, Pierre Alechincky, William Burroughs, Brion Gysin, and Robert Henri's manifesto The Art Spirit, which asserted the fundamental independence of the artist. With these influences, Haring was able to push his own youthful impulses toward a singular kind of graphic expression based on the primacy of the line. Also drawn to the public and participatory nature of Christo's work (in particular Running Fence), and by Andy Warhol's unique fusion of art and life, Haring was determined to devote his career to creating and sharing a truly public art.

As a student at SVA, Haring experimented with performance, video, installation, and collage while always maintaining a strong commitment to drawing. In 1980, Haring found a highly effective medium allowing him to communicate with the wider audience he desired. The catalyst for this discovery took place in a subway station, when Haring noticed the unused advertising panels covered with matte black paper. He began to create drawings using white chalk upon these blank paper panels throughout the subway system. Between 1980 and 1985, Haring produced hundreds of these public drawings in rapid rhythmic lines, sometimes creating as many as forty "subway drawings" in one day. This seamless flow of images became familiar to New York commuters, who often would stop and engage the artist when they encountered him at work. The subway became, as Haring said, a "laboratory" for working out his ideas and experimenting with the simplicity of lines.

Between 1980 and 1989 Haring achieved international recognition and participated in numerous group and solo exhibitions. His first solo exhibition in New York was held at the Westbeth Painters Space in 1981. In 1982, he made his SoHo gallery debut with an immensely popular and highly acclaimed one man exhibition at the Tony Shafrazi Gallery. During this period, he also participated in renowned international survey exhibitions such as Documenta 7 in Kassel; the Sao Paulo Biennial; and the Whitney Biennial.

Haring completed numerous public projects in the first half of the 80's as well, continuing his quest for public art. Among these projects were an animation for the Spectacolor billboard in Times Square, sets and backdrops designed for theaters and clubs, developing watch designs for Swatch, an advertising campaign for Absolut vodka, and creating murals worldwide.

During his brief but intense career spanning the 1980's, Haring's work was featured in over 100 solo and group exhibitions. He was highly sought after to participate in collaborative projects, and by expressing universal concepts of birth, death, love, sex and war, using a primacy of line and directness of message, Haring was able to attract a wide audience and assure the accessibility and staying power of his imagery, which has become a universally recognized visual language of the 20th century.

Keith Haring died of AIDS related complications at the age of 31 on February 16, 1990.